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Sculpture · Spatial installation · Fabrication

Art beyondthe expected.

Original works, custom commissions and production for artists and architects.

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Film of two gold-leafed figures and sculptural concept studies in architectural interiors.

Digitally shaped.Individually made.

Concept study A porous monolith in an alpine hall. Visualisation.

Visualisation: a white porous stone monolith on a concrete plinth inside an open concrete hall, mountains and cloud beyond, a person standing beside it for scale.

From digital form
to physical presence.

  1. BriefUnderstand the idea, site, purpose and parameters.
  2. DevelopShape the form and its spatial effect. Align scope and approvals.
  3. ValidateTest material, details, connections and samples before making.
  4. MakeFabricate the approved direction and document the build.
  5. FinishDevelop and control the surface against an agreed sample.
  6. InstallCoordinate delivery, installation and handover.
The Remnant, a seated figure of interwoven strands, shown first as a contour drawing, then shown as a concept visualisation on its plinth in a concrete gallery.
Benjamin Rubi seated beside a tall, organically sculpted white artwork
Benjamin Rubi · Founder, KRAFTKERN

A new chapter · Switzerland

Benjamin
Rubi

Founder · Art & Creative Director · Media

Switzerland-based founder and creative director Benjamin Rubi has shaped visual worlds for Adriatique, Argy, Mrak and Afterlife. He is also the founder of mover.film and VSNZ Music / vsnz.ch. Now, he begins a new chapter with KRAFTKERN��bringing image-making, spatial thinking and sculpture together.

Follow the work@beni.rubi

A form takes shape
through making.

From the digital sculpt to close views of fabrication and surface, each image follows the making of one sculptural form.

  1. Digital Study

    Digital Form

    The figure takes shape in the digital studio: full figure, close-up, orthographic views and wireframe of one flowing, porous body.

    Discuss this study
  2. Form Study

    Sculptural Detail

    A close view of the pale form reveals its layered surface and branching, sculptural contours during fabrication.

    Discuss this study
  3. Process study

    Made in the Machine

    The pale sculpture stands centered inside its enclosed fabrication machine, shown here at full scale.

    Discuss this study
  4. Surface Study

    Surface Study

    An intimate crop highlights the pale sculpture’s openings, layered contours, and soft transitions in light.

    Discuss this study
Blender viewport showing a porous humanoid sculpture from multiple angles, including wireframe and orthographic views.
Close view of a pale sculptural form being made inside a fabrication machine.
Full view of the pale sculptural form inside its fabrication enclosure.
Close-up of the sculpture’s pale, branching surface and layered texture.

Architectural scale.
Details agreed together.

Material, scale, finish and installation requirements are developed around each brief. Feasibility and tolerances are confirmed before production.

Design
Form

Design development

Align the digital model, material and surface with the brief.

Context
Scale

Site coordination

Review access, dimensions and installation conditions together.

Making
Detail

Samples & connections

Agree critical details and finish samples before making.

Use
Care

Handover

Define handling and care for the selected material and setting.

Tolerances Defined per projectEngineering Requirements reviewedFinish Samples agreed before makingRequest an engineering brief

Bring us the idea that doesn't fit anywhere else.

A first conversation is enough: a clear brief, a space to transform, or only the beginning of a direction.

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